In a piece at The New Criterion, Dalrymple offers a sharp and unsparing critique of The Chinese Tragedy of King Lear, arguing that its attempt to fuse Shakespeare with modern Chinese history collapses under the weight of muddled thinking and stylistic pretension.
The conceit of the book is that King Lear casts some special light on recent Chinese history—or perhaps the other way around. But a combination of bad writing and loose thinking fails to make a case for any such illumination… The author’s writing suffers from the professional deformation that is, alas, common in the writing of so many academics in the humanities, namely flatulence, pretension, portentousness, and obscurity, leavened by occasional resort to the demotic…
